
Karen and I met in and supported each other through graduate school, each acting as guide, confidant, editor, and cheerleader for the other. When I think of driving back and forth to Urbana during a hot summer in the mid ’90s, trying to figure out how we would get all of the work done, I think of Karen. And then our lives went in separate directions, and we lost track of each other. All of this was before Facebook and Twitter and texts and it was flat-out easier to fall out of touch, and so we did. This was indeed a terrible loss for me, one I let happen.
Then recently, I had reason to reconnect with Karen: I have accepted a new position in the school district where she worked back when we were in graduate school, and letting her know this was the perfect reason to find her again. And then, just as I was getting ready to send a message to her, I learned that a teacher I know had been a student of Karen’s, just around the same time when the two of us were such close friends. The teacher told me with excitement that having Karen to guide her was one of the reasons that she chose to become an educator. Karen is strong, smart, and passionate about education and making a difference, and so is the teacher who was her student. Amazing – both women whom I admire and respect, connected so long ago. Yet another reason to reach out. And so I did.
Karen’s response to me was lovely, no surprise, and it included this, about her former student: She was a bright young woman, a great athlete, strong sense of empathy… I always saw in her a bit more than she was ready to hear. In one phrase, Karen had summed up the essence of what we should all be doing with our students: seeing what is possible, seeing the greatness that glimmers around the edges of our students’ poor choices and fears. Really, now, think back to your best teachers. Is that what they did for you? Probably, in some way, yes. Karen is currently the director of a regional Safe Schools program, serving young men and women who need something extra to be successful in a school setting. So, you know she is still seeing more in students than they are ready to hear.

This brings me to Ladybird, the beautiful Greta Gerwig film that I saw separately with each of my young adult daughters over the past year or so. This movie hooked me as a mom who raised teenage girls (What did I get right? What did I get wrong? HOW wrong?), and also caused me to think deeply about the messages of empowerment and positive risk-taking that we give (or, sadly, sometimes don’t give) to our young people. High school senior “Ladybird”, who renamed herself as she was becoming who she was becoming, is faced over and over again with adults who do not believe in her, or who are afraid to show that they believe in her. Her guidance counselor outright laughs at her college dreams. Adults fail Ladybird all of the time.
One of my favorite moments in the film occurs between Ladybird and her principal, a good-humored nun who actually does support her, who sees and celebrates Ladybird’s spirit and strength. “What I’d really like,” Ladybird says, “is to be on Math Olympiad.” The nun answers, with some kindness, “But math isn’t something that you’re terribly strong in.” And wait for it… Ladybird responds with, “That we know of YET.” (Want to see the scene? It is at the end of the trailer.) That phrase has stuck for me, and I keep trying to find ways to sneak it into encouraging conversations. It is a spark of hope. It is breaking through. It is believing that something else is possible. It is what we need to give to our students. For sure, it is what many of the adults in Ladybird’s life did not give to her — she had to give it to herself. It’s what Karen clearly gave/gives to her students.
Personal development for all people, at all ages, has been on my mind a lot lately. Stretching. People trying things out, doing things that they haven’t done before. And that’s where Honky Tonk Angels comes in. (What now?) If you happen to have read any of my other blog posts, you may already know that my husband has been taking guitar classes for many years, and that sometimes I hang out with him at the music school, or at a nearby coffee shop. And that last year I even took a vocal ensemble class while he was strumming away in another room. This winter, however, Larry cajoled me into taking a class WITH him — we are both signed up for an ensemble class called, you guessed it, Honky Tonk Angels, where we are, in essence, a band that practices (and eventually performs) a set of songs written by female country/western musicians. There are a few guitar players, a guy who plays fiddle and bass, and me, a “vocalist”. Look at that, I had to put it in quotation marks. Say it, a vocalist! But the thing is, unlike the rest of the group, I don’t really play an instrument. I played guitar in college, very, very badly. I can play piano, just a little. But secretly, for the past few years, I’ve craved the drums.
Now, just the vocalist part is already basically new for me. I have plenty of past singing experience, but it has all been more musical theater and choral singing. I have never actually FRONTED a band before. (Never mind that I’m paying for the pleasure of doing so – that’s just a side detail, right?) And then, today, I nudged myself even further out of my comfort zone. After harmonizing on one song in the background while someone else was singing lead, I thought, “Why not?” and quietly spoke up, “Could this song maybe use someone on the drum kit?” And it was YES. And I DID.
Here’s what I’ll say: Drumming isn’t something I’m terribly strong in. That we know of YET! Ladybird would be proud. And Karen would believe in me! I’ll have to tell her about it the next time I see her.
